Willie D was the first one I met, followed by Bushwick Bill, who was wearing a Yoda backpack. Joseph Street before their performance at the Howlin Wolf on June 7th. I had a chance to catch up with the three of them in the hotel lobby of the Spring Hill Suites on St. They single-handedly put the South on the map, invented the genre horrorcore, brought rap to a deeper psychological level and addressed the pains of growing up in urban American poverty. The Geto Boys changed the rules without even trying, just spitting truth. There was no longer an unapproachable topic in hip-hop. By 1991, We Can’t Be Stopped was released and the hip-hop world was never the same. Bushwick Bill had expanded beyond his original comedic role, Scarface was tapping deeper into his psyche with his lyrics and Willie D was continuing to bring the fury with his aggressive delivery. Rick Rubin picked them up and produced a self-titled album that enraged the straight-edged public just by the album cover. By 1990 the group dropped the “h” and “t” in “ghetto” and became the Geto Boys. By the time Grip It! On That Other Level was released in 1989, the group had settled on Willie D as the enforcer, Scarface as the smooth MC and Bushwick Bill as the comedic relief. Before them, the South had nothing they could call their own in the rap game. Before UGK, before Outkast, and before No Limit ever made a dent in the rap game, there were the Ghetto Boys.
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